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Part 4 of the TED Radio Hour episode Truth And Lies.

About Stephanie Busari's TED Talk

Stephanie Busari discusses the flip-side of fake news: denying real news. She recounts the kidnapping of Nigeria's Chibok schoolgirls and how some Nigerians believed the news was a government hoax.

About Stephanie Busari

Stephanie Busari is CNN's digital and multimedia bureau head in Nigeria.

Part 5 of the TED Radio Hour episode Truth And Lies.

About Carrie Poppy's TED Talk

After visiting a bookstore, Carrie Poppy started feeling odd: pressure on her chest and auditory hallucinations. She thought it was a spirit – until she found another explanation for her symptoms.

About Carrie Poppy

Part 2 of the TED Radio Hour episode Truth And Lies.

About Michael Specter's TED Talk

Michael Specter explores why some deny scientific evidence — such as the safety of vaccines and GMOs, or climate change. He says denying can provide a sense of control in an unsure world.

About Michael Specter

Part 1 of the TED Radio Hour episode Truth And Lies.

About Deborah Lipstadt's TED Talk

After publishing the book Denying the Holocaust, Deborah Lipstadt was sued for libel in the UK by Holocaust denier David Irving. Rather than ignore the case, she chose to fight it — and won.

About Deborah Lipstadt

This week's episode of Pop Culture Happy Hour coincides exactly with Netflix's release of GLOW, a 10-episode TV series starring Alison Brie, Betty Gilpin and Marc Maron. Presenting a fictionalized history of the late-'80s syndicated TV show GLOW: Gorgeous Ladies Of Wrestling, GLOW carries the formidable DNA of executive producer Jenji Kohan (Orange Is The New Black, Weeds) and producers Liz Flahive (Nurse Jackie, Homeland) and Carly Mensch (Orange Is The New Black, Weeds, Nurse Jackie).

'The Big Sick' Is A Tonic For What Ails You

Jun 22, 2017

The United States is still a home for everyone; the proof is that a Muslim living in suburban Illinois can make a prayer rug joke and have it feel fully, unmistakably American. In The Big Sick, when aspiring comedian Kumail Nanjiani leaves the Chicago stage, he often dines with his Pakistani parents in their cul-de-sac, where they expect him to do his full five minutes of prostrating before they can all dig into their biryani. But Kumail, like many a disaffected member of his generation, has soured on the concept of religion.

The premiere of John Cage's famous/notorious composition "4'33"" in Woodstock, New York in 1952 stirred some measure of the outrage that greeted Stravinsky's "The Rite of Spring," only here the audience was upset by the notes they didn't hear, instead of the ones they did. The first of three movements started with the pianist opening the keyboard lid and ended with him closing it; that same pattern was repeated for the next two.

While Clint Eastwood was busy playing a wounded Union soldier held at the pleasure of a bevy of Southern belles in Don Siegel's 1971 Civil War drama The Beguiled, the actor also found time to direct his first film, Play Misty for Me, in which he also starred as a disc jockey stalked by an unhinged female fan. Both films were visceral articulations of male paranoia about the sinister potential of repressed or oversexed women.

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