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When Steve Coogan and Rob Brydon's dueling Michael Caine impressions went viral during the first season of their food-tasting TV series, The Trip, it was more or less inevitable that the show's 6.5 hours of eating scallops and celeb impersonations would be edited down into movie form.

Natasha, Pierre and The Great Comet of 1812 was supposed to be the next Hamilton. It was going to invigorate Broadway and attract younger and more diverse audiences — and it almost succeeded. Instead, it's closing on Sept. 3, in part because of a controversy over casting and race.

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Back in the late 1980s, when I was first starting out as a critic for The Village Voice, one of the books I was assigned was Laura Shapiro's Perfection Salad, a social history of the home economics movement during the turn of the last century.

In a 2008 episode of the sitcom "30 Rock," the fictional NBC executive Jack Donaghy (played by Alec Baldwin) proudly promotes the season finale of his new hit reality show, MILF Island. In the shamelessly tawdry program ("25 super-hot moms, 50 eighth-grade boys, no rules"), middle-aged women contestants are kicked off one by one with the show's signature catchphrase: "We no longer want to hit that. Get off MILF Island!" In a culture that objectifies women, older women aren't treated with any more respect than their younger counterparts; they're all equally disposable.

Lily Meyer works at Politics & Prose Bookstore in Washington, D.C.

With host Linda Holmes still in Los Angeles, where she's attending the Televisions Critics Association press tour, Glen Weldon and I have assembled without her for a discussion of director Kathryn Bigelow's new film, Detroit. We're joined by our pals Gene Demby (from NPR's Code Switch) and Aisha Harris (who hosts Slate's Represent podcast).

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