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ARI SHAPIRO, HOST:

Jessica Jones is not your typical superhero: She's a low-rent private eye with superhuman strength and PTSD from two big traumas in her past. Krysten Ritter stars as Jessica in the Netflix series based on the Marvel Comics character — and says she loves the complex role.

"I really get to sink my teeth into it," she says. "The work that I get to do and the backstory and the character building and breaking down the scripts — I'm just so invested."

Margot Kidder, who became famous for playing Lois Lane opposite Christopher Reeve in Superman, has died at her home in Montana. Kidder was 69; her acting career spanned decades, from TV series in the late 1960s to seven films in the past five years.

A cause of death has not yet been publicly released for Kidder. Her death was announced by the Franzen-Davis Funeral Home in Livingston, Mont., where she resided.

"The actress and activist passed away on Sun., May 13, 2018 at her home," the funeral home said.

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It's not often that a parent and child become masters of two different art forms, but an exhibition at the Barnes Foundation in Philadelphia proves it's possible: Renoir: Father and Son explores the work of 19th-century Impressionist painter Pierre-Auguste Renoir and his 20th-century filmmaker son, Jean Renoir.

Like many fathers and sons, they had a loving, but complicated relationship. Take, for example, the fact that in 1920, the year after his father died, Jean married his father's last model.

Yeah, yeah, yeah. We all know springtime is a traditional wedding season. But when it comes to the dresses worn by today's blushing brides, we're seeing a much less traditional trend. In fact, other people may be blushing.

When it comes to the bridal bustline, the question these days is ... how low can you go?

"How can I say this kind of politely?" Monte Durham teases. "We have dresses cut to your navel."

[This piece discusses the plot of the novel Little Women, which was published in 1868 and 1869. You have, we hope, had a chance to read it.]

Is it only writers who can never forgive Amy March for burning her sister Jo's handwritten novel manuscript? Or is it only me?

Not so very long ago, everyone agreed when Summer Movie Season kicked off. There was no subjectivity involved. It was dictated by the calendar: Memorial Day weekend meant the arrival of the big tentpole movies that would proceed to bust blocks over the course of the sultry summer months. Simple.

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LAKSHMI SINGH, HOST:

We take you now behind the scenes - the set, the mind of one of cinema's most highly-regarded directors of the 20th century.

(SOUNDBITE OF FILM, "2001: A SPACE ODYSSEY")

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LAKSHMI SINGH, HOST:

82 Women Walk Cannes Red Carpet In Protest

May 13, 2018

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LULU GARCIA-NAVARRO, HOST:

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LULU GARCIA-NAVARRO, HOST:

The list of accolades is long for Rita Moreno. The 86-year-old is the only Latina — and one of just 12 artists overall — to have won an Emmy, a Grammy, an Oscar and a Tony for her work. This weekend, she received a different kind of award — for her advocacy. The Ellis Island Honors Society is giving her a medal of honor for her work with immigrant communities.

Many consider the running back Jim Brown the greatest American football player ever. But he's known as much more than an athlete — he's an activist, an actor, a thinker and a man with an alleged history of violence against women.

Here's how he's described in the opening paragraph of Dave Zirin's new biography, Jim Brown: Last Man Standing.

You Were Right, Mom

May 13, 2018

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LULU GARCIA-NAVARRO, HOST:

Finally, a tribute to the old adage mother knows best. We asked you to share advice your mothers gave you that eventually made you say, Mom was right. Laura Bathke starts us off.

April Showers Bring These 3 May Romances

May 13, 2018

Spring is in the air and love is all around, as these three delightful romance novels show. Whether in a New Jersey high school, a Scottish palace or Victorian England, these stories show happy-ever-after is always within reach.

My So-Called Bollywood Life by Nisha Sharma is a bright, sassy, and totally charming young adult love story, starring Winnie Mehta, who sees everything in her life through the lens of her beloved Bollywood films. So naturally, there's a love triangle, a prophecy, and a big song and dance number — all set in a New Jersey high school.

When Trenton Doyle Hancock was 10 years old, he made up a superhero: Torpedo Boy. The character has become the center of a complicated cosmos Hancock has developed obsessively for more than 30 years. There are drawings, paintings, sculptures — and now, a plush stuffed doll.

"Well, he looks like me," Hancock says. "He's a black guy. His face is basically my face."

Shakespeare wrote great tyrants. Macbeth, the Scot who plots a bloody route to the throne; Richard III, the brother of a king, and "rudely stamped," in Shakespeare's phrase, who murders his way into power and madness; Coriolanus, the Roman ruler who believes power in the hands of citizens is like permitting "crows to peck the eagles," and betrays his city; King Lear, Lady Macbeth, Henry VI, Julius Caesar — one of Shakespeare's themes is how men and women may lust for power, then use it in the worst way.

There are two kinds of extremely smart books: The ones that make you feel small and stupid, as if the author is telling you how far above you their intelligence lies, and the ones that makes you feel smart reading them, that demonstrate the author's respect for her reader. Rubik, the debut novel by Australian writer Elizabeth Tan, is the best example of the second kind.

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AUDIE CORNISH, HOST:

The new movie "Beast" is a psychological thriller set on a quaint island in the English Channel called Jersey. Twenty-seven-year-old Moll lives a quiet, stifling life with her controlling mother.

(SOUNDBITE OF FILM, "BEAST")

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Canadian-born psychologist Jay Van Bavel likes Canadian beer.

"I can't say what it is," he says, laughing, "I just love the taste."

When Van Bavel sips a beer from his hometown, there is a feedback between his taste buds and his brain. He's reminded of his Canadian-ness, he feels more Canadian, and Canadian beer tastes better to him than other beers.

Nostalgia is a paralytic toxin.

It's killing us slowly, steadily: Every time an old, smarmy sitcom, or a pallid network drama, or a toy ad that masqueraded as a cringeworthy children's cartoon gets dredged from the feculent muck of history's lake bed and rebooted for a contemporary audience, our cultural blood pressure incrementally drops, our collective pulse grows that much threadier, our soft tissues go just a scosh more necrotic. That's because these properties exude nostalgia's deadly poison — they're sticky with it — and there is no antidote.

Leon Vitali was a young and talented British actor on the rise when he signed his soul away to Stanley Kubrick. He'd just given a magnetic performance as the spoiled, seething yet sensitive Lord Bullingdon in the director's droll period epic Barry Lyndon (1975), and offers were pouring in. Instead of acting on them, Vitali decided he'd rather become Kubrick's devoted assistant. He had been lucky enough to earn the good graces of a true master, he reasoned, and you don't let true masters out of your life. Instead, Vitali allowed Kubrick to subsume him into his.

As Beast's handheld camera careens around the isle of Jersey, it's nearly always focused on Moll (Jessie Buckley). But the movie also seems to live inside the young woman's head, which churns with feral intensity and adolescent bewilderment. And Moll, a breakout role for flame-haired Irish actress Buckley, may not even be this murder mystery's title character.

Michael Mayer's The Seagull, a fluid and faithful reading of the endlessly remounted stage play by Anton Chekhov, opens and closes with what looks like the same scene. The curtain has just gone down on a final act, and we hear clapping as the camera moves in to focus on leading lady Irina (Annette Bening, in superb command as always), flushed and beaming under the adulation she plainly can't get enough of. Until, that is, someone whispers troubling news in Irina's ear and rushes her away to — where else?

There are plenty of reasons why many consider Die Hard one of the great action films of the last 30 years: Bruce Willis' reinvention of the Western cowboy as wisecracking everyman, Alan Rickman as his slippery Eurotrash counterpart, the escalating tension within the confined space of a Los Angeles office tower, a script dense with quotable one-liners. But the primary reason is this simple: You always know where people and objects are in relation to each other.

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