David Bianculli | WYPR

David Bianculli

David Bianculli is a guest host and TV critic on NPR's Fresh Air with Terry Gross. A contributor to the show since its inception, he has been a TV critic since 1975.

From 1993 to 2007, Bianculli was a TV critic for the New York Daily News.

Bianculli has written four books: The Platinum Age Of Television: From I Love Lucy to The Walking Dead, How TV Became Terrific (2016); Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour (Simon & Schuster/Touchstone, 2009); Teleliteracy: Taking Television Seriously (1992); and Dictionary of Teleliteracy (1996).

An associate professor of TV and film at Rowan University in New Jersey, Bianculli is also the founder and editor of the online magazine, TVWorthWatching.com.

The villains in comic books usually have grandiose master plans, like targeting and defeating an enemy or ruling the world. Netflix, as it's grown to become more and more of a major player in the modern TV universe, has grand plans of its own.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

The original Twin Peaks series really was original — one of the most inventive, unprecedented, sometimes thrillingly unique TV series ever presented. David Lynch directed several episodes, including the very best ones: the mood-establishing pilot and the dreamy and nightmarish third episode with the Tibetan rock toss and the dancing, backwards-talking dwarf in the Red Room.

On Friday, two different streaming services present the first seasons of new drama series. Both are based on novels written by women, both have female characters squarely at their center — and both come to TV with accomplished women producers overseeing their adaptations.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

The 1996 Coen Brothers movie Fargo was so good, and so original, that when the FX cable network announced it was making a new version for television, I expected it to be awful — especially since the creator of the adaptation was Noah Hawley, a writer-producer who hadn't really done much.

You don't need to know all about Breaking Bad, and the meth-making, drug-dealing former schoolteacher Walter White, played by Bryan Cranston, to enjoy Better Call Saul. This spinoff series more than stands on its own — and, as TV spinoffs go, is the best in the business since Cheers begat Frasier.

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