Eric Deggans | WYPR

Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.

Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.

His writing has also appeared in the New York Times online, Salon magazine, CNN.com, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

It's a depressing question to ask on a Father's Day weekend: What does it mean that a superstar comic and philanthropist once "America's Dad" just saw his prosecution on sexual assault charges end in a mistrial?

The trial against Bill Cosby ended Saturday, when a deadlocked jury was unable to reach a verdict on three counts of aggravated indecent assault after several days of deliberations. Until and unless the jurors speak, we won't know if just one or two of them declined to convict or if there was more widespread disagreement.

It sounds like the title to an awful, self-confessional memoir: Everything I learned about fatherhood, I learned from TV. But, as Father's Day approaches, this TV nerd finds himself reflecting on exactly that, the surprising lessons about fatherhood and parenting that came to me from iconic figures on the small screen.

If it seems like there's an explosion of TV coming at you this summer, that's because there is. And it's a trend that's been building for quite a while.

Back in the day — say five or 10 years ago — summer was a time of experimentation and slowing down. Network TV aired shows that would keep the lights on while reserving its best stuff for the fall, and cable TV took advantage by debuting more new shows as an alternative.

Anyone hoping to get a sense of how former Fox News star Megyn Kelly might reinvent herself for her new role as NBC News' big hire didn't get a lot of clues from the rather conventional debut episode of Sunday Night with Megyn Kelly.

It was a program which came with some fanfare, particularly if you were watching NBC News platforms in the days leading up to Sunday's debut. MSNBC, Today and NBC Nightly News all broadcast previews of Sunday Night's big get, Kelly's sit-down last week with Russian President Vladimir Putin.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

MICHEL MARTIN, HOST:

As a TV critic who keeps an eye on social issues, I've long been critical of ABC's The Bachelor and The Bachelorette franchises. They urge viewers to believe completely contrived events are somehow spontaneous. They also support an unhealthy princess fantasy in which romance is conflated with an upper-middle class wonderland filled with reality TV fame and luxury resort getaways.

[It should be obvious, but there are loads of spoilers below from the first four episodes of Twin Peaks: The Return.]

In a year that has brought us some pretty trippy TV so far, Showtime's Twin Peaks revival has managed to uncork the weirdest, wildest, most unfathomable four hours of television I have seen this year on a major media outlet.

And for David Lynch fans, that's probably going to sound like heaven.

It's a question the broadcast TV industry asks itself around this time every year: How long can we keep this going?

The occasion is TV's upfront season, when all the big programmers announce their plans for the next season in glitzy presentations for big advertisers in New York, selling commercial space in the new schedules early.

These days, the moneymaking heart of the TV business — broadcast television — is fighting harder than ever to stay competitive with the innovation at streaming services like Netflix, Hulu and Amazon.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

It seems like it was only yesterday that my friends here on the show said goodbye to "American Idol."

(SOUNDBITE OF ARCHIVED BROADCAST)

ARI SHAPIRO, BYLINE: Fifteen years of bad tryouts.

(SOUNDBITE OF TV SHOW, "AMERICAN IDOL")

Don't be distracted by the title of Netflix's latest, button-pushing TV series, Dear White People.

Because, one look at this insightful, irreverent examination of race and society at an Ivy League college reveals it really doesn't focus much on white folks at all.

Indeed, the title Dear White People is a bit of a head fake. This slyly assembled series is really about how a wide range of black and brown students at the fictional, predominantly white Winchester University deal with race, sexual orientation and other identity stuff in the modern age.

Pages