J. Wynn Rousuck | WYPR

J. Wynn Rousuck

Maryland Morning Theater Critic

J. Wynn Rousuck has been reviewing theater for Maryland Morning with Sheilah Kast since 2007. Prior to that, she was the theater critic of The Baltimore Sun, where she reviewed more than 3,000 plays over the course of 23 years. Her feature coverage for The Sun included a comprehensive series chronicling the development of the Tony Award-winning musical, “Hairspray.” Judy got her start at The Cleveland Press and at Cleveland’s fine arts radio station, WCLV. Her broadcasting experience also includes a year as an on-air theater critic for Maryland Public Television.

A member of the Artistic Advisory Committee of Young Audiences of Maryland, Judy is also a freelance teacher for the Johns Hopkins Center for Talented Youth and the Hippodrome Foundation, Inc. (the Hippodrome’s non-profit partner, which focuses on education and outreach). She was a faculty member at the Eugene O’Neill Theater Center’s Critics Institute in Waterford, CT, for two decades; she is a former National Endowment for Humanities Journalism Fellow; and she was a visiting student at Brown University (2007-2008), under the mentorship of Pulitzer Prize-winning playwright, Paula Vogel. Judy and her husband, Alan Fink, share their home with two dogs, who enjoy hearing their “Master’s Voice” on WYPR.

Photo by Richard Anderson

It's Thursday on Midday, and that means theater critic J. Wynn Rousuck joins us with her take on thespian offerings in the Baltimore-DC region. This week, she's here with her review of Twisted Melodiesthe one-man musical show at Baltimore's Center Stage about Donny Hathaway, a successful singer-songwriter of the 1970s best known for his duets with Roberta Flack. 

Written and performed by Kelvin Roston, Jr., and directed by Derrick Sanders, Twisted Melodies is an intense, emotionally charged play about Hathaway's brilliant but tragically short career.  Inspired by artistic genius but tormented by mental illness, Hathaway's poignant struggles are compellingly interpreted by the multi-talented Roston. 

Twisted Melodies' run at Baltimore Center Stage has been extended thru Sunday, April 23.

Photo by Shealyn Jae

It's Thursday and that means it's time for Midday theater critic J. Wynn Rousuck to join us with a review. This week, she joins guest host Rob Sivak to talk about "Trust," the new production now on stage at Fells Point Corner Theater in Baltimore until Sunday, March 19th.

Here's how Fells Point Corner Theatre describes this off-beat play by Steven Deitz -- one of the country's most prolific regional-theater playwrights:

"A rising star and a faded one. A radio DJ. A Bohemian. Guitar picks, pick-ups and wedding dresses waiting to be worn. In a fast-paced, grungy grind, how can anyone be trusted when temptation trumps all?  From the creative team who brought us previous year's productions of Other Desert Cities and Detroit, Director Michael Byrne Zemarel combines with the talents of Valerie Dowdle, Cassandra Dutt, Laura Malkus, Rachel Roth, David Shoemaker and Mark Scharf to bring you a play about rock'n'roll -- and the ones it leaves behind."

"Trust," by Steven Deitz,  is on stage at the Fells Point Corner Theatre in Baltimore until Sunday, March 19th.

Photo by Richard Anderson

Midday's theater critic J. Wynn Rousuck joins Tom in the studio -- as she does most Thursdays -- with her review this week of The White Snake, on stage in the renovated Head Theater at the newly named Baltimore Center Stage.

Based on an ancient Chinese fable, The White Snake uses mystery and magic to tell a fantastical tale that's staged in grand-spectacle style, intertwining traditional and modern storytelling techniques.  

Two animal spirits -- White Snake and Green Snake, played by Aime Donna Kelly and Eileen Rivera, have taken human form as a beautiful woman and her sly servant. White Snake falls in love with a poor pharmacist’s assistant (played by Joe Ngo), but their relationship is condemned by a conservative monk (played by Peter Van Wagner), and their newfound happiness is threatened by tragedy. 

The White Snake was written-adapted by Mary Zimmerman, and directed by Natsu Onoda Power.  Nicole Wee is the costume designer,  Hana S. Kim is the scenic and projection designer, and  Jeff Song is music director.

The White Snake is at Baltimore Center Stage until March 26th.  Ticket and showtime information is available here.

Photo by Joan Marcus

Theater critic J. Wynn Rousuck joins Tom in the studio, as she does each Thursday, with a review today of  the Broadway touring company production of The Bodyguard, on stage through Sunday (March 5) at the Hippodrome Theatre in Baltimore.  

Based on the 1992 hit film of the same name starring Kevin Costner and the late Whitney Houston, the award-winning musical showcases the extraordinary talents of the Grammy-nominated R&B superstar, Deborah Cox

Most audiences will likely recall The Bodyguard storyline: former Secret Service agent-turned-bodyguard, Frank Farmer, played by Judson Mills, is hired to protect superstar Rachel Marron, played by Cox, from an unknown stalker. Each is strong-willed and used to being in control, but in spite of themselves, they fall in love.  The Bodyguard features a playlist of popular classics, including "Queen of the Night," "So Emotional," "One Moment in Time," "Saving All My Love," "Run to You," "I Have Nothing," "I Wanna Dance with Somebody" and one of the biggest-selling songs of all time – "I Will Always Love You."

The Bodyguard was adapted from the Lawrence Kasdan screenplay with a book by Alexander Dinelaris.  The Broadway touring production is directed by Thea Sharrock, choreographed by Karen Bruce, with set and costume designs by Tim Hatley.  

The Bodyguard continues at the Hippodrome until Sunday, March 5th.

Primary Stages

Each Thursday, we cover the regional thespian scene with Midday theater critic J. Wynn Rousuck.  Today, Judy brings us her conversation with Baltimore native Susan R. Rose.  She’s a theater and film producer whose Broadway credits include Joseph and the Amazing Technicolor Dreamcoat, Hurlyburly and Bloodknot. She has also produced movies for NBC, CBS, Showtime and Lifetime.

Rose's latest production, Motherhood Out Loud, is a compendium of more than 20 short pieces by more than a dozen playwrights. Motherhood Out Loud has been produced from coast to coast as well as abroad.  Tomorrow, it will make its Baltimore debut at the Vagabond Players, where it runs through March 19.

J. Wynn Rousuck spoke with Susan Rose on February 14th  from Argot Studios in New York , the city to which Rose moved when her production of Joseph and the Amazing Technicolor Dreamcoat arrived there in the 1980s.

ClintonBPhotography

Midday theater critic J. Wynn Rousuck joins Tom with her regular Thursday review of local and regional stage productions.  Today, she spotlights the ambitious new production of Charles Dickens' Great Expectations, now on stage at Everyman Theatre.

Adapted from the 1860 classic by Gale Childs Daily and directed by Tazewell Thompson, Great Expectations is a faithful condensation of this enduring saga of identity, fate, sacrifice and generosity,  and it draws brilliantly on the multi-role talents of its small cast.

Great Expectations continues at Everyman Theatre through Sunday, March 5.

Photo by Britt Olsen-Ecker

Theater critic J. Wynn Rousuck joins us every Thursday with her reviews of regional stage productions. Today she's here to talk about Samsara, a new play by Lauren Yee now on stage at the Single Carrot Theatre that explores good intentions and unintended consequences, in a story that takes audiences from Northern California to India.  An American couple hoping to have a child engage a surrogate mother in India, whose pregnancy becomes an unexpectedly cathartic experience for her and the American parents. Their lives, and the life of the unborn child, intertwine in a karmic cycle of life, death and rebirth known to Hindus and Buddhists by the Sanskrit word, samsara.

Samsara continues at the Single Carrot Theatre through Sunday, February 12th.

Rob Clatterbuck

J. Wynn Rousuck  reviews a play based on the 1975 documentary film of the same name, Grey Gardens is a tragic, frequently funny and utterly unforgettable musical about two “staunch” and legendary American women: Edith Bouvier Beale, and her grown daughter, Edie.  With a diverse musical songbook, including Tin Pan Alley jigs and soaring ballads, Grey Gardens is a unique tapestry of lost dream, sacrifice, and unstoppable hope—heartfelt, witty and compassionate. Grey Gardens is  directed by Danielle Robinette and Ryan Haase and it continues at  Stillpointe Theatre through February 4th

Britt Olsen-Ecker

This week J. Wynn Rousuck reviews "Samsara” at Single Carrot Theater through February 12th written by Lauren Yee and directed by Lauren A. Saunders. Katie and Craig want a baby.  Well, Katie wants a baby, and Craig wants what Katie wants. When Craig goes to India to be with their surrogate, Suraiya, flying-phobic Katie is left alone, plagued by visions of all that could go wrong and a mysterious, seductive Frenchman.  Suraiya, an aspiring doctor with secrets of her own, tries to remain cool and aloof while conversing with the life growing inside of her, a curious young man who has named himself Amit. Their lives flow together and intertwine in the cycle of life, death, and rebirth known as samsara.

 

Christine Demuth in Stillpointe Theatre's production of "Grey Gardens"Credit Rob ClatterbuckEdit | Remove

J. Wynn Rousuck  Based on the 1975 documentary film of the same name, Grey Gardens is a tragic, frequently funny, and untterly unforgettable musical about two "staunch" and legendary American women: Edity Bouvier Beale, and her grown daugher, Edie.  With a diverse musical songbook, including Tin Pan Alley jigs and soaring ballads, Grey Gardens is a unique tapestry of lost dreams, sacrifice, and unstoppable hope--heartfelt, witty, and compasionate directed by Danielle Robinette and Ryan Haase at Stillpointe Theatre through February 4th.

Photo by Rob Clatterbuck

Midday theater critic J. Wynn Rousuck joins us today, as she does each Thursday, with a review of the ambitious new production of Grey Gardens at Stillpointe Theatre.

Inspired by Albert and David Maysles' unforgettable 1975 documentary of the same name, the musical Grey Gardens offers a glimpse  into the poignant lives of Edith Ewing Bouvier Beale ("Big Edie") and her daughter Edith Bouvier Beale ("Little Edie"), played and sung by Zoe Kanter and Christine Demuth, respectively. 

The two women -- an aunt and niece of former First Lady Jackie Bouvier Kennedy Onassis -- famously transformed from edgy, upstart socialites into isolated, hoarding eccentrics by the late 1950s, spending their reclusive existence reliving their pasts and tending a colony of cats in their derelict mansion -- dubbed "Grey Gardens" -- in the posh Long Island beach community of East Hampton, New York.

The 2006 musical had a successful Broadway run, thanks in part to the solid book by Doug Wright and an intriguing score by Scott Frankel (music) and Michael Korie (lyrics). 

Daniella Robinette and Ryan Haase co-direct this new production to take full advantage of Stillpointe Theatre's recently expanded performance space.  

Grey Gardens continues at Stillpointe Theatre through February 12. Ticket information here.

Photo by Joan Marcus

Midday theater critic J. Wynn Rousuck joins us every Thursday with her reviews of local and regional productions. This week, she's here with her take on Beautiful – The Carole King Musical , the touring-company production of the Broadway hit that's now on stage at Hippodrome Theatre through Sunday, January 29th.   Beautiful tells the story of King’s extraordinary rise to stardom.  It follows the arc of that career from the late 1950s to the early 1970s:  from her role in a hit songwriting team with husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann. We watch King's emergence as one of the most successful solo acts in popular music history.  Featuring an inspiring litany of treasured songs written by Gerry Goffin/Carole King and Barry Mann/Cynthia Weil, including “I Feel The Earth Move,” “One Fine Day,” “(You Make Me Feel Like) A Natural Woman,” “ You’ve got A Friend” and the title song, Beautiful has a book by Tony Award®-nominee and Academy Award®-nominated writer Douglas McGrath, direction by Marc Bruni, and choreography by Josh Prince. The musical has won two 2014 Tony Awards® and a 2015 Grammy® Award.

Beautiful - the Carole King Musical runs through Sunday, January 29th at Hippodrome Theatre. 

Thursdays mean theater on Midday, so J. Wynn Rousuck is back with her weekly review of a local production. Today, she’s talking about The Call of the Wild , master storyteller Charlie Bethel’s new solo adaptation of Jack London’s classic 20th century novel, now in performance at Theatre Project in Baltimore.  An audience favorite and an experienced theater artist both on stage and off, Bethel brings new life to the classic American tale. 

Photo by Tom Lauer

Midday’s theater critic J. Wynn Rousuck returns for her weekly review of a local stage production. This week, she discusses the Vagabond Players’ new rendition of The Complete History of America (abridged), written by Adam Long, Reed Martin, and Austin Tichenor and directed by Howard Berkowitz. Starring Fred Fletcher-Jackson, Sean Kelly, and William B. Meister, The Complete History condenses 600 years of American history into 90 minutes of outrageous satire.

The Complete History of America (abridged) runs through February 5th at Vagabond Theatre in Fell’s Point. 

Photo by Joan Marcus

Midday's theater critic J. Wynn Rousuck  joins Tom every Thursday with her reviews of local and regional stage productions. This week, it's the celebrated Fiasco Theater production that became a surprise hit in New York City: a minimalist re-invention of Stephen Sondheim's and James Lapine's classic Tony Award-winning musical-fantasy, Into the Woods, now on stage at the Kennedy Center.  

Into the Woods at the Kennedy Center runs through Sunday, January 8th.  Recommended for audiences ages 8 and up!

Photo by Joan Marcus.

Midday theater critic J. Wynn Rousuck joins Tom every Thursday with her reviews of local and regional stage productions. This week, her spotlight is on the touring company production of  A Gentleman’s Guide to Love & Murder, now in its final week at the Hippodrome Theatre in Baltimore.

This romping musical tells the story of Monty Navarro, the cocky heir to a family fortune, who plots to eliminate all rivals for his inheritance, while he struggles to navigate his tangled romantic life and stay one step ahead of the law.  

The show stars John Rapson as the D’Ysquith heirs (eight of them in all!), Kevin Massey as Monty Navarro, Kristen Beth Williams as Sibella Hallward, Adrienne Eller as Phoebe D’Ysquith and Mary VanArsdel as Miss Shingle.

A Gentleman’s Guide to Love & Murder won four 2014 Tony Awards, including Best Musical, Direction of a Musical (Darko Tresnjak), Book of a Musical (Robert L. Freedman) and Costume Design of a Musical (Linda Cho).

A Gentleman's Guide to Love and Murder continues at The Hippodrome Theatre through January 1, 2017. 

Photo by Kiirstn Pagan

Midday theater critic  J. Wynn Rousuck joins Tom every Thursday with her reviews of local and regional stage productions.  This week, she's been to Everyman Theatre to see the Baltimore debut of the off-Broadway hit, playwright Colman Domingo's "Dot."

Domingo, whose other works include "Wild With Happy," and whose acting credits include a starring role in "Fear the Walking Dead," has written a touchingly comic play, set in the holiday season, about kinship, sanity, and the impact of Alzheimer's Disease on an African-American family in West Philadelphia.

Directed by Vincent M. Lancisi, "Dot" continues at Everyman Theatre through Sunday, January 8.

photo by Richard Anderson

Theater critic J. Wynn Rousuck joins Tom in the studio with her weekly review of local stage productions. Today, she shares her impressions of  Les Liaisons Dangereuses, directed by Hana S. Sharif at Baltimore's Center Stage. The classic tale of love and betrayal, set in pre-Revolutionary France, was written in 1985 by Christopher Hampton as an adaptation of Pierre Choderlos de Laclos's 1782 epistolary novel. The production runs through Friday, December 23rd.

Center Stage

Today, a conversation about Center Stage. Maryland’s State Theater is undergoing a major facelift. The first phase of the renovation has been on display since Thanksgiving weekend, when previews for their current show, Les Liaisons Dangereuses opened in a spruced-up Pearlstone Theater. Center Stage hopes to complete their renovations in the next few months.  

How will the new space inform the programming at Center Stage and create opportunities for up-and-coming playwrights and actors?  Tom is joined by Center Stage Artistic Director Kwame Kwei-Armah OBE, the theater’s Associate Director, Gavin Witt and Midday theater critic J. Wynn Rousuck. They’ll also discuss Center Stage’s new program “Wright Now, Play Later” that takes theater-making outside the building and into the community by bringing accomplished playwrights, patrons and performers together to turn an idea about a play into a spontaneous, lively performance executed in Baltimore’s local businesses and well-known public places. 

Midday theater critic J. Wynn Rousuck interviews writer, actor, and director Colman Domingo.

Colman Domingo is best known for roles in Fear the Walking Dead, Lincoln, and Selma, ​but he has also acted on and off-Broadway and directed shows at The Lark,  The Geffen Playhouse, and Lincoln Center's Director's Lab. He is also an acclaimed playwright, and his play  Dot  is currently showing at Baltimore's Everyman Theatre. Dot will be playing at Everyman through Sunday, January 8th, 2017.

Photo by Gary Emord Netzley

Midday theater critic J. Wynn Rousuck joins us today with her review of  A Christmas Story, The Musical -- a new rendition of the late author and radio-TV celebrity Jean Shepherd’s comic story of a childhood Christmas. Shepherd helped turn his story into a movie in 1983 -- he wrote the screenplay and narrated the film -- and it’s been a perennial holiday favorite ever since. Now it’s a musical, with book by Joseph Robinette and music and lyrics by Benj Pasek and Justin Paul. A Christmas Story - the Musical is on stage at the Hippodrome through this Sunday, December 11.

Rousuck's Review: "Schoolgirl Figure" at Cohesion Theatre

Dec 1, 2016
Cohesion Theatre Company

Midday's theater critic J. Wynn Rousuck returns to Studio A with her weekly review of local area productions. Today it's Cohesion Theatre Company's production of Schoolgirl Figurenow onstage at the United Evangelical Church in Baltimore. Set in a high school, this edgy comedy examines the tragic complexities of body image in today's vanity-obsessed culture. The darkly disturbing play was written by Wendy MacLeod. It's  directed by Jonas David Grey, and stars Emily Sucher and Tatiana Ford, among the cast.

Photo by Katie Simmons-Barth

For her regular Thursday review of regional theater, Midday's drama critic J. Wynn Rousuck joins senior producer Rob Sivak in the studio with her take on American Hero, a dark comedy by Bess Wohl that's been getting its regional premiere at the  RepStage Studio Theatre, on the campus of Howard Community College in Columbia, Maryland.  Directed by Suzanne Beal, the play is set in a small subshop where three "sandwich artists" are trying to learn their new craft: a teenager, a single mom, and a dropout from the corporate banking world, all of whom are barely hanging on to the bottom rungs of the economic ladder.. When unexpected events shake things up in the subshop, they find themselves allied against the uncertainties and inequities of America's post-recession economy.

American Hero continues at the RepStage in Columbia,Maryland through Sunday, November 20.

Photo by Stan Barouh

Up-and-coming playwright Jen Silverman's The Roommate, which opened November 6th at Baltimore's Everyman Theatre, is described in the theater notes as "a mash-up between 'Thelma and Louise' and 'the Odd Couple.'"  If you're too young to get those cultural references, let's just say The Roommate -- set in a "big old house" in Iowa City -- is a funny play about two very different middle-aged mothers, played by Everyman's Deborah Hazlett and Beth Hylton, who wind up living as roommates, and whose close-quartered experience yields both friendship and self-discovery.  Silverman's wry comedy is directed by Johanna Gruenhut, with set design by Timothy Mackabee, lighting by Jesse Belsky, and costume design by Sarah Cubbage.  

As she does most every Thursday here on Midday, theater critic J. Wynn Rousuck joins Tom in the studio today with her review of The Roommate.

The Roommate continues at Everyman Theatre through Sunday, Nov. 27th.

Photo by Carol Rosegg

The classic fairy-tale of a young woman who's magically transformed from a chambermaid into a princess gets an attractive makeover in this new production of Rodgers + Hammerstein's Cinderella. One of the most beloved of the duo's many legendary collaborations (including  OKLAHOMA!, Carousel, The King and I, South Pacific and The Sound of Music), the touring musical combines the story's iconic elements – glass slippers, pumpkin, and a beautiful ball --  with some contemporary plot twists.  Theater critic J. Wynn Rousuck, a Thursday regular on Midday, caught the show at the Hippodrome, and joins Tom with her review.                                           

Rodgers + Hammerstein's Cinderella was scored by Richard Rodgers, with lyrics by Oscar Hammerstein II, a new book by Douglas Carter Beane and original book by Oscar Hammerstein II. Originally directed by Mark Brokaw and choreographed by Josh Rhodes, the tour is directed by Gina Rattan and choreographed by Lee Wilkins. Music adaptation and arrangements are by David Chase and music supervision is by Greg Anthony Rassen. Orchestrations are by Bill Elliott and are adapted from the original Broadway orchestrations by Danny Troob.

First written for television,  Cinderella aired in 1957, starring Julie Andrews. The show's long-anticipated Broadway debut finally happened in 2013.   

Rodgers + Hammerstein's Cinderella  continues at the Hippodrome in Baltimore through Sunday, November 6th.

Photo by Teresa Castracane

Given the unique dynamics of this presidential campaign season, it's a remarkable coincidence that the Chesapeake Shakespeare Company has produced a play about the intersection of power and sexuality, with a strong, determined woman at its center.  Anne of the Thousand Days, written by Maxwell Anderson and directed by Kasi Campbell, describes the historic, 16th century romance between Anne Boleyn and King Henry the Eighth of England, who was desperately seeking a woman who could give him what his lawful wife, Catherine of Aragon, had failed to deliver:  a male heir.   The daughter Anne bore the King as his Church-defying second wife would eventually become Elizabeth the First, England's greatest monarch, but things didn't work out so well between Anne and Henry.  It's a great story and true, brought to life on the CSC stage with the help of sumptuously detailed costumes by Kristina Lambdin.

Our theater critic J. Wynn Rousuck, who stops by Midday every  Thursday,  joins Tom with her review.

Their conversation also turns to this weekend's Charm City Fringe Festival, an 11-day "explosion" of theater events around the city.  Click here to check out the events and schedules. 

Anne of the Thousand Days continues at the Chesapeake Shakespeare Company on South Calvert Street in Baltimore through Sunday, November 13.

Shealyn Jae Photography

Theater critic J. Wynn Rousuck joins Tom in the Midday studio most every Thursday. She's here today with her review of Das Barbecu, a fast-paced musical theater version of Richard Wagner’s “Ring Cycle.” Written in 1991 by Jim Luigs and composed by Scott Warrender, it premiered in Seattle and has been produced by theater companies across the US, including Baltimore's Center Stage.  Now, the popular musical is back in Baltimore, at the Audrey Herman Spotlighters Theatre.

Wagner's famed operatic masterwork is actually four long operas with a ton of plot. Spotlighters' new production of Das Barbecu (directed by Greg Bell, with musical direction by Michael Tan) is set in contemporary, twangy Texas.  It boils the vast Wagnerian storyline down to one evening of musical theater, with five actors frenetically playing more than 30 characters. Major plot-lines in this tuneful, light-hearted Western include mismatched lovers, feuding families, western rope tricks, a synchronized swimming scene, a tribute to guacamole, and of course, a magic ring of power.

Das Barbecu continues at the Audrey Herman Spotlighters Theatre through Oct. 30 

Photo by Joan Marcus

The Curious Incident of the Dog in the Night-Time is a play adapted from the 2003 mystery novel by British writer Mark Haddon. The novel is told from a first-person perspective by Christopher John Francis Boone, a 15-year-old boy living in suburban England who describes himself as "a mathematician with some behavioral difficulties."

Christopher's condition is never identified, but he appears to fit the profile of someone living on the autism spectrum, with a condition once referred to as Asperger's syndrome.  Haddon has blogged that he is not an expert on autism, and that "Curious Incident is not a book about Asperger's....if anything, it's a novel about difference, about being an outsider, about seeing the world in a surprising and revealing way."

Photo: Rob Clatterbuck

As she does most every Thursday on Midday, veteran theater critic J. Wynn Rousuck joins Tom in the Midday studio, this week with her review of  The Wild Party, the latest production by Iron Crow Theatre company, now on stage at the Theatre Project.  The musical is based on a lusty -- and lengthy --narrative poem from the 1920s by a writer named Joseph Moncure March.

Iron Crow's script moves the action out of the 1920s and closer to present-day, and the music, too, is more contemporary.  As Ms. Rousuck explains, this high-spirited musical also deals with some pretty  contemporary themes.

The Iron Crow Theatre’s production of “The Wild Party” continues at the Theatre Project tonight through Sunday (Oct. 9).

Photo by ClintonB Photography

Veteran theater critic J. Wynn Rousuck joins Tom with a review of Everyman Theatre's new production of "Wait Until Dark."  While most people might know that title from the Oscar-nominated 1967 film starring Audrey Hepburn as the blind protagonist, the tense thriller was originally a play -- Frederick Knott's 1966 Broadway hit, which also had a short-lived 1998 revival.  Then came Jeffrey Hatcher's 2013 adaptation of the Knott play, in which the story is given a new setting in 1944 Greenwich Village.  That's the version now on stage at Everyman, with Donald Hicken directing and Megan Anderson starring in the lead role as Susan. 

"Wait Until Dark" continues at Everyman Theatre through Sunday, October 9.   Click here for ticket information.

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