Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
5:33 pm
Thu May 21, 2015

In 'The Seeds Of Time,' One Man's Quest To Save Our Food Supply

Seeds of Time
Hungry, INC. Kino Lorber

Cary Fowler is an easygoing, soft-spoken Tennessee native who travels the world with an urgent message: The human race may starve to death. If that threat becomes likely, however, people can turn to the biological archive that director Sandy McLeod's documentary calls The Seeds of Time.

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Movie Reviews
5:01 pm
Thu May 14, 2015

Why 'Forbidden Films' Remain Officially Locked Away

A scene from the 1941 Nazi propaganda film Homecoming by Gustav Ucicky. As seen in Felix Moeller's Forbidden Films.
Zeitgeist Films

At the beginning of Forbidden Films, documentarian Felix Moeller's camera warily contemplates a fortified bunker. The contents are, a curator warns, "literally explosive" — Nazi propaganda films on highly flammable nitrocelluloid stock.

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Movie Reviews
5:03 pm
Thu May 7, 2015

'The D Train' Rumbles On With Another Hunk/Schlub Comedy

Henry Zebrowski (Craig), James Marsden (Oliver Lawless), and Jack Black (Dan Landsman) in Jarrad Paul and Andrew Mogel's The D Train.
Hilary Bronwyn Gayle IFC

"Inappropriate," today's foremost throat-clearing adjective, is the appropriate response to The D Train. This squirm-till-you-snicker comedy is about two immature males confronted with sexual possibilities they can't handle. One of the guys is 14; the other is his father.

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Movie Reviews
5:43 pm
Thu April 30, 2015

In 'Marie's Story,' A Tale Of Teaching And Faith

Ariana Rivoire and Isabelle Carré in Marie's Story.
Film Movement

Originally published on Fri May 1, 2015 4:47 pm

Marie Heurtin was born blind and deaf just five years after Helen Keller, and she experienced a similar liberation through the discovery of sign language. The French girl's tale is the harsher one, since Keller didn't lose sight and sound until she was 19 months old and was able to communicate in a limited way with another girl before the breakthrough dramatized in The Miracle Worker.

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Movie Reviews
6:03 pm
Thu April 23, 2015

'24 Days' Retells A Brutal Crime With Little Explanation

Zabou Breitman plays Ruth Halimi in 24 Days.
Menemsha Films

Originally published on Fri April 24, 2015 12:58 pm

24 Days recounts the grisly fate of Ilan Halimi, the young Jewish Parisian who in 2006 was kidnapped, held for ransom and tortured beyond what his body could endure. But it's not Ilan who addresses the camera at the beginning of the film. It's his mother, Ruth Halimi (Zabou Breitman).

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Movie Reviews
5:03 pm
Thu April 16, 2015

'Monkey Kingdom' Is Best When It's All Monkeys All The Time

Monkeys on Castle Rock from Disneynature's Monkey Kingdom.
Jeff Wilson Disney

Originally published on Fri April 17, 2015 4:44 pm

As much fun as a tree full of toque macaques, Monkey Kingdom is arguably the most entertaining of Disneynature's eight features. But purists will recoil as soon as The Monkees theme enters, and there are times when the story told by narrator Tina Fey probably doesn't reflect the extraordinary images directors Mark Linfield and Alastair Fothergill captured.

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Movie Reviews
5:03 pm
Thu April 9, 2015

Listening To The Ho-Hum Of The Machine

Sonoya Mizuno and Alicia Vikander in Ex-Machina.
A24 Films

Originally published on Thu April 9, 2015 5:41 pm

The latest British movie to play the imitation game, Ex Machina, is the directorial debut of novelist-screenwriter Alex Garland. This time, the stakes are higher than the Nazi conquest of Europe. The talky sci-fi puzzler turns on nothing less than the potential displacement of humans by artificially intelligent cyborgs.

Then again, maybe the film is just another riff on the battle of the sexes.

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Movie Reviews
5:03 pm
Thu February 5, 2015

In 'The Voices,' The Dog And The Cat Talk, But The Film Says Little

Fiona (Gemma Arterton) and Jerry (Ryan Reynolds) in The Voices.
Lionsgate

A serial-killer spoof set in a parody of small-town U.S.A., The Voices wants desperately to be bizarre. But it manages just to be a little odd, and that's mostly because its vision of American gothic was crafted on a German soundstage by a Franco-Iranian director.

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Movie Reviews
10:16 am
Fri January 2, 2015

Murder, Cows And Bad Funerals In The Absurd Comedy Of 'Li'l Quinquin'

Quinquin.
Kino Lorber

Although set in Bruno Dumont's home region of northern France, L'il Quinquin finds the writer-director in unexpected territory. The film is a arguably Dumont's first comedy, and was made as a four-part TV miniseries.

Yet with its relaxed pacing, inconclusive plot and elegant widescreen cinematography, the movie doesn't feel much like TV. And its humor is less a matter of overt gags than bemused attitude, which shows that the Dumont of Humanite and Hors Satan has barely relocated at all.

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Movie Reviews
1:25 pm
Fri December 5, 2014

A 'Wild' Trek Made A Bit Too Neatly

Reese Witherspoon plays Cheryl Strayed in Wild.
Anne Marie Fox Fox Searchlight Pictures

With a backstory that includes heroin use and zipless you-know-whats, Wild is a daring foray for its star and producer, the usually prim Reese Witherspoon. As an excursion into the untamed stream of human consciousness, however, the movie is less bold.

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