Community Calendar

Join Warren Wolf as he returns for his monthly concert at An die Musik, this month featuring the legendary bassist Curtis Lundy!

World-Renowned Bassist | Composer | Arranger | Grammy Nominated Recording Artist Curtis Lundy is arguably one of the most prolific and in-demand bassists on the modern jazz scene. He is a disciple of the mainstream — straight ahead — hard bop school.

Highly regarded for his robust, lyrical, ‘lead from the front’ approach to the acoustic bass, he delivers an unsurpassed brand of masterful excellence in performing standards, originals and the American songbook. His fluid voicings and exceptional dexterity allow listeners to delve into a song — in any time signature — with an equal measure of challenge and enjoyment.

A native of Miami, Lundy was nurtured in a musical family and began playing music early in life. Ultimately, he made the bass his instrument of choice in his early teens.

The Grammy-nominated composer, arranger and recording artist studied music at the University of Miami. He left Miami in the late 1970’s for New York City — the Jazz Mecca — where quickly established his formidable talents. Soon thereafter he came to the attention of legendary vocalist Betty Carter. He quickly won her confidence and during this celebrated association. He rose to prominence – anchoring the rhythm section — with colleagues John Hicks on piano and Kenny Washington on drums. He is prominently featured on the Carter signature original “Tight’ memorialized on the iconic recording “the Audience with Betty Carter.”

In-person seats: $25 / $10 students
Peabody students: $10 suggested donation
Attendees receive a link to the recording to view for one week.

Streaming passes: $15
Link will remain active through Oct. 9

Donations welcome!

Back for its second year, Abbott and the Big Ten Conference are hosting the We Give Blood Drive competition to entice students, alumni, fans, and community members to rally around their Big Ten school to donate blood, save lives, and address the country's ongoing critical blood shortage.

From August 27 to December 5, anyone eligible to donate blood can do so anywhere, anytime in the U.S. to count for their school. The school with the most donations at the end of the competition will receive $1 million to advance student or community health.

New this year, everyone who donates or attempts to donate blood throughout the competition will receive an exclusive, limited-edition, Homefield-designed T-shirt specific to their school. To receive the shirt:

1. Show up to donate
2. Submit your donation (or attempt to donate) at BigTen.Org/Abbott or by texting DONATE to 222688 (ABBOTT).
3. Click the link sent to your email
4. Use your redemption code
5. Your shirt will be shipped to the address of your choice. 

Last year, the University of Nebraska won, and is using the funds to advance student health on campus. The University of Maryland is competing this year and will host several blood drives on campus and in the surrounding area throughout the competition. To find a blood drive near you, please visit: https://bigten.org/abbott/maryland

This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.
Presented as part of the Turn Again to the Earth environmental initiative.

More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.

Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.

Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.

In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.

Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.

For thousands of years, East Asia’s cultures have viewed human life as part of a much larger system that encompasses the natural world. Drawn from the BMA’s collection, this exhibition boasts more than 40 objects—from magnificent ink drawings to beautifully crafted stoneware and poignant contemporary photographs and prints. They bring into the galleries the mountains and seas, wild and supernatural animals, and plant life that are extensive across East Asian imagery and often carry symbolic meaning.

Works on view include robust 13th-century ceramic vessels, delicate porcelain, carved jade, intricately sewn textiles, and large-scale photography; collectively, these artworks represent the impulse to fully understand the natural world as foundational to our existence, as shaped by human life, and as an enduring metaphor of survival.

This 3-part, in-person course covers using the free genealogy site FamilySearch.org to build a family tree (class 1), search historical records (class 2), and save family memories including images, documents, and audio files (class 3). Each class offers a 30 minute instructional presentation, and 90 minutes for students to work in FamilySearch with individual help from the instructor. Students may attend all 3 or only some of the classes. Use our computers or bring your laptop. Please contact us by email or phone/text to register. Space is limited.

On View: September 12 - October 11
Gallery Hours: Tuesday - Saturday 11 a.m. - 8 p.m.

In her work, Yaniv draws on patterns from nature and images from daily life, altogether forming landscapes which blur the line between the real and the imagined, the organic and the artificial, the chaotic and the orderly. For this exhibition, she takes her inspiration from Patrick Svensson’s "The Book of Eels," a mix of natural history, memoir, and metaphysical musings, fusing scientific mysteries with lived experience. The eel is born in the Sargasso Sea, a place of legend but also a fundamental part of the ocean, encompassing two million square miles in the subtropical North Atlantic Ocean. A sea within a sea, it is enclosed only by several large rotating ocean currents. This large installation is a collaboration with the Department of Dance, and considers, in multi-modal ways, life and loss, journey, metamorphosis, complexity, and culture-nature (endangered).

Reception September 11 following the 6:30 p.m. lecture and dance performance.

On September 11, 12 and 13 experience dance and sculpture in dynamic interplay just before the Inertia dance performance.
For parking information visit towson.edu/parking/visitors

On View: September 12 - December 6 (closed Oct. 17 & Nov. 25 - 29)
Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.

The work in this exhibition compresses and expands expectations of depth as moderated by a post-image visual culture. The artists adhere to neither medium nor dimensional restrictions, but manipulate the viewer’s relationship to the image as a temporal document, compressed and fractured, through the singular eye of the lens. This expectation, no longer warranted in the age of computer generated images, becomes a fallacy of both the eye and of the language used to comprehend it. The image is untethered from representation and logical spatial association. Spatial continuity and discontinuity run amok in playful fracture--the work pushes and prods the amorphous opening left in the wake of this rupture; what was flat is unmoored of grounding, what was solid is now compressed.

Reception September 11 following the 6:30 p.m. lecture.
For parking information visit towson.edu/parking/visitors

September 10 - December 6 (closed October 17 & November 26 -29)
Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.
Opening reception Wednesday, September 10, 7:30 p.m.

How have recent upheavals—from the pandemic to global conflicts, amplified by media—reshaped our private lives? How do personal memories become collective history? In a world forever changed, how do we find our way forward? Elaine Qiu’s awe-inspiring installation of painting, video, and sound invites visitors into a multi-sensory exploration of communal consciousness, connection, and healing in a fragmented, post-pandemic world.
For parking information visit towson.edu/parking/visitors