Community Calendar

THE THANKSGIVING PLAY

BY LARISSA FASTHORSE
DIRECTED BY SUZANNE BEAL

NOVEMBER 7 – DECEMBER 7

Preview November 6
ASL Interpreted Performance November 14

Good intentions collide with absurd assumptions in this biting satire, as a troupe of performatively “woke” thespians scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month without any cultural stumbles.

After unexpected roof repairs delayed our original opening in September, Church Hill Theatre is delighted to offer its production of Agatha Christie’s Murder on the Orient Express from October 17 to November 2. The stage play is an adaptation by the hilarious American playwright Ken Ludwig, who was asked to take on the project by the Christie estate. Director Kat Melton will propel her cast on a vintage steam locomotive through the snowy alps. Her use of sound, lights and projections will have you on the edge of your seat as Hercule Poirot uses his “little grey cells” to solve yet another mysterious death!

Even if you have read the book a dozen times, the plot remains a real tease, as almost every passenger has a reason to murder the odious American businessman, Samuel Ratchett. Hercule Poirot’s interviews soon uncover connections to a past kidnapping case and other secrets. Passengers include titled Europeans, several Americans, and many with hidden identities. Melton has made room for several smaller parts that enrich the plot and the production. These other passengers, the ensemble, help move along the action—and the scenery. The clues mount up, but is anyone telling the truth? Bien sure, Poirot will of course prevail!

The strong production team is especially proud of the set and effects that really bring a steam locomotive and luxury passenger cars onto the stage. Almost all of our original cast members adjusted their schedules to catch this train but a few understudy substitutions of equally talented actors have been required. The entire cast and crew know this could be your “favorite-ever” show.

It runs from October 17 to November 2, with shows at 7:30 on Fridays and Saturdays and at 2 pm on Sundays. Tickets are available now online at churchhillltheatre.org or by calling the box office at 410-556-6003. If you had tickets for the original September show, you should already have been contacted by the box office to arrange new dates. If there is any confusion, please call the box office.

Church Hill Theatre would like to express its grateful thanks to all of the friends and patrons who supported us during the whole repair process. Your kind words and financial generosity have been heartwarming. THE SHOW WILL GO ON!!!

After unexpected roof repairs delayed our original opening in September, Church Hill Theatre is delighted to offer its production of Agatha Christie’s Murder on the Orient Express from October 17 to November 2. The stage play is an adaptation by the hilarious American playwright Ken Ludwig, who was asked to take on the project by the Christie estate. Director Kat Melton will propel her cast on a vintage steam locomotive through the snowy alps. Her use of sound, lights and projections will have you on the edge of your seat as Hercule Poirot uses his “little grey cells” to solve yet another mysterious death!

Even if you have read the book a dozen times, the plot remains a real tease, as almost every passenger has a reason to murder the odious American businessman, Samuel Ratchett. Hercule Poirot’s interviews soon uncover connections to a past kidnapping case and other secrets. Passengers include titled Europeans, several Americans, and many with hidden identities. Melton has made room for several smaller parts that enrich the plot and the production. These other passengers, the ensemble, help move along the action—and the scenery. The clues mount up, but is anyone telling the truth? Bien sure, Poirot will of course prevail!

The strong production team is especially proud of the set and effects that really bring a steam locomotive and luxury passenger cars onto the stage. Almost all of our original cast members adjusted their schedules to catch this train but a few understudy substitutions of equally talented actors have been required. The entire cast and crew know this could be your “favorite-ever” show.

It runs from October 17 to November 2, with shows at 7:30 on Fridays and Saturdays and at 2 pm on Sundays. Tickets are available now online at churchhillltheatre.org or by calling the box office at 410-556-6003. If you had tickets for the original September show, you should already have been contacted by the box office to arrange new dates. If there is any confusion, please call the box office.

Church Hill Theatre would like to express its grateful thanks to all of the friends and patrons who supported us during the whole repair process. Your kind words and financial generosity have been heartwarming. THE SHOW WILL GO ON!!!

Join MET's longest running improv team, The Comedy Pigs, for a night full of laughs! The Comedy Pigs perform on the first Friday and Saturday of each month. The Comedy Pigs specialize in short-form improv, similar to what you'd see on the TV Show "Whose Line is it Anyway?"

Take 6 (Claude McKnight, Mark Kibble, Joel Kibble, Dave Thomas, Alvin Chea and Khristian Dentley), heralded by Quincy Jones as the “baddest vocal cats on the planet!,” is the quintessential a cappella group and the model for vocal genius.

With 10 Grammy Awards, 10 Dove Awards, a Soul Train Award, and they as Members of the Gospel Music Hall of Fame, this musical phenomenon has six virtuosic voices united in crystal clear harmony, against a backdrop of syncopated rhythms, innovative arrangements, and funky grooves that bubble into an intoxicating brew of gospel, jazz, R&B, and pop.

With collaborations and praise from such luminaries as Ray Charles, Stevie Wonder, Brian Wilson, Ella Fitzgerald and Whitney Houston, the multi-platinum selling sextet has toured across the globe, collaborated across genres, and is recognized as the pre-eminent a cappella group in the world.

Keystone Kards will not be accepted for this show.

Join us for our Annual Breakfast with Santa on Saturday, December 6, 2025, 9:00 AM – 12:00 PM at Slayton House in Wilde Lake! Enjoy a delicious breakfast, watch classic holiday cartoons, and take a special photo with Santa. Kids can also visit the Secret Santa Shop for some festive shopping (prices range from 50 cents to 10 dollars). Tickets are $15 per person, including breakfast and one photo with Santa.

Whether you’re starting a family tradition, planning a festive date night, or celebrating with friends, THE POLAR EXPRESS™ Train Ride brings the spirit of Christmas to life—for all who believe. Your adventure includes live performances, hot chocolate and a sugar cookie, a special moment with Santa presenting the First Gift of Christmas, and continued magic at the North Pole with holiday crafts, cozy s’mores, and festive shopping.

This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.
Presented as part of the Turn Again to the Earth environmental initiative.

More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.

Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.

Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.