Oct 23 Thursday
Home-Recorded Halloween Horror-Thon transforms Peabody Heights into a retro Halloween haunt for Teen Wolf (1985). Expect immersive décor, a preshow vibe, and vintage Halloween commercial breaks woven into the film for that late-night TV energy. This screening is part of an all-1985 series across Baltimore-area breweries and wineries, including a two-day Checkerspot Weekend with double features and a Crypt Video Rentals pop-up. Tickets are General Admission. See the tickets page for exact times, seating, and the full lineup. Costumes encouraged.
Dust off an ancient console, jam in your favorite cartridge, and practice your overly long attack combos as you set forth on an homage to the games you know and love. In this show, you're the player, naming the characters, their backstories, and ultimately deciding their fate on an epic journey through a fantastic land of pixels and comedy.
Garbage Quest is an original semi-improvised homage to retro video games, presented by Baltimore Rock Opera Society featuring the band Garbage Masher. BROS puts the controller in the audience's hands, guiding our plucky adventuring party through quests, romance, and against the evil forces of Monetization in this 1 hour celebration of gaming, fantasy, and electronic music.
Music by Garbage Masher
Written by Ave Kaye and Robyn Stegman
Directed by Ave Kaye and Matthew Payne
Venue at 1915 Maryland Ave
Join the Andrea Brachfeld at An die Musik Live as they pay tribute to legendary trumpeter, Ornette Coleman
Andrea Brachfeld, flutesTodd Marcus, bass clarinetHerman Burney, bassEric Kennedy, drums
Hot House Jazz Awards 2015 Flutist of the Year, Andrea Brachfeld has earned accolades throughout her career including a Louis Armstrong Award for musical achievements as a jazz student, the Chico O’Farrill Lifetime Achievement Award, and the Pionero Award for her contributions to Latin music.
In-person seats: $25 / $10 studentsAttendees receive a link to the recording to view for one week.
Streaming passes: $15The link will remain active thru Oct. 30
Donations Welcome!
“You’re to be commended for playing very cleanly those unusual melodies…(on Evolution) “ ~ Hubert Laws
“When I listen to the gorgeous, rich sound of flutist Andrea Brachfeld, I question why she is not constantly headlining at the world’s top jazz spots.” ~ Don Smith, May 2022, hothousejazz.com
“There is nothing at which she does not excel, regardless of mood or tempo." ~ Jack Bowers, June 2022, allaboutjazz.com
“… Her marvelous tone and technique are astonishing… She is definitely among those who deserves recognition not only among her peers, but the public in general.” ~ Hubert Laws
Ahoy, Baltimore! Ever wondered how our city's rich maritime history intertwines with our spirited celebrations?
Join us at Baltimore's Ghost Ship for spooky tales that enhance all your holiday adventures!
Dive into the eerie legends that make our cruises unforgettable. Let’s create some memories that haunt! 👻
Plan your visit today: https://www.baltimoresghostship.com
Save 25% on General Admission and VIP tickets by applying Coupon Code: Ghoulish
Event Dates: October 17, 18, 24, 25, 30, 31, and November 1 from 7 pm to 10 pm
#BaltimoreHaunts #GhostShipAdventures #HauntedMaritime
The Towson University Music Ensembles will celebrate Latin American music by showcasing the compositions of guest composer Sonia Morales-Matos for chorus, symphony orchestra, symphonic band, and percussion ensemble.
In this captivating adaptation of Jane Austen's Persuasion by Sarah Rose Kearns, audiences are transported to a world of social intrigue, family drama, and enduring love. Anne Elliot's touching journey of resilience and second chances unfolds against the elegant and beloved backdrop of Regency-era England, laced with Austen's signature wit.
Persuasion will open September 26 with previews on September 24 and 25. The production will close on October 19. Thursday shows are only 10/9 and 10/16. Visit www.chesapeakeshakespeare.com for more information or call the box office at 410-244-8570.
Oct 24 Friday
Back for its second year, Abbott and the Big Ten Conference are hosting the We Give Blood Drive competition to entice students, alumni, fans, and community members to rally around their Big Ten school to donate blood, save lives, and address the country's ongoing critical blood shortage.
From August 27 to December 5, anyone eligible to donate blood can do so anywhere, anytime in the U.S. to count for their school. The school with the most donations at the end of the competition will receive $1 million to advance student or community health.
New this year, everyone who donates or attempts to donate blood throughout the competition will receive an exclusive, limited-edition, Homefield-designed T-shirt specific to their school. To receive the shirt:
1. Show up to donate 2. Submit your donation (or attempt to donate) at BigTen.Org/Abbott or by texting DONATE to 222688 (ABBOTT). 3. Click the link sent to your email 4. Use your redemption code 5. Your shirt will be shipped to the address of your choice.
Last year, the University of Nebraska won, and is using the funds to advance student health on campus. The University of Maryland is competing this year and will host several blood drives on campus and in the surrounding area throughout the competition. To find a blood drive near you, please visit: https://bigten.org/abbott/maryland
This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.Presented as part of the Turn Again to the Earth environmental initiative.
More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.
Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.
Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.