Community Calendar

In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.

Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.

For thousands of years, East Asia’s cultures have viewed human life as part of a much larger system that encompasses the natural world. Drawn from the BMA’s collection, this exhibition boasts more than 40 objects—from magnificent ink drawings to beautifully crafted stoneware and poignant contemporary photographs and prints. They bring into the galleries the mountains and seas, wild and supernatural animals, and plant life that are extensive across East Asian imagery and often carry symbolic meaning.

Works on view include robust 13th-century ceramic vessels, delicate porcelain, carved jade, intricately sewn textiles, and large-scale photography; collectively, these artworks represent the impulse to fully understand the natural world as foundational to our existence, as shaped by human life, and as an enduring metaphor of survival.

Baltimore, MD – Make Studio is excited to announce the highlight of our fall programming season, the 8th installment of Cordially Invited! Cordially Invited is our annual invitational exhibition featuring artworks created in innovative U.S. and international studios serving disabled artists.

On view from October 10 – November 15, Make Studio’s CordialIy Invited VIII highlights the phenomenal and thought-provoking art produced in progressive art studios internationally as a way to better understand and appreciate our neurodiverse world. Each year it is our honor to put together this showcase to celebrate how these studios foster and promote exceptional art, advance full inclusion, and ensure the advancement of disabled artists so that their distinctive work can be experienced by all. This year's installment features 28 participating groups, hailing from as near as Rockville, MD and Washington, DC, and as far as Spain and Japan. Over 100 selected artworks will be featured in our gallery and even more will appear in the digital exhibition online. Visitors are encouraged to drop into the gallery during our weekly hours, or visit during special extended hours that will be announced on social media.

A reception will be held on November 7 from 5:00-8:00 PM during Art Around Hampden and First Fridays in Hampden. Details about exhibiting artists and studios, as well as special programming including a virtual artist talk with participating studios, will be shared on Make Studio’s website and social media. A companion display of Make Studio artists’ work will also be on view at University of Maryland, Baltimore’s Campus Center for Disability Employment Awareness Month throughout October.

About Make Studio
Make Studio is a 501(c)3 community-based arts organization located in Baltimore, MD. Founded in 2010 with the aim to put art and abilities to work, Make Studio’s mission is to empower artists with disabilities to grow as professionals with visibility and voice in their communities. We create opportunities for everyone to connect through art.

On View: September 12 - December 6 (closed Oct. 17 & Nov. 25 - 29)
Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.

The work in this exhibition compresses and expands expectations of depth as moderated by a post-image visual culture. The artists adhere to neither medium nor dimensional restrictions, but manipulate the viewer’s relationship to the image as a temporal document, compressed and fractured, through the singular eye of the lens. This expectation, no longer warranted in the age of computer generated images, becomes a fallacy of both the eye and of the language used to comprehend it. The image is untethered from representation and logical spatial association. Spatial continuity and discontinuity run amok in playful fracture--the work pushes and prods the amorphous opening left in the wake of this rupture; what was flat is unmoored of grounding, what was solid is now compressed.

Reception September 11 following the 6:30 p.m. lecture.
For parking information visit towson.edu/parking/visitors

September 10 - December 6 (closed October 17 & November 26 -29)
Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.
Opening reception Wednesday, September 10, 7:30 p.m.

How have recent upheavals—from the pandemic to global conflicts, amplified by media—reshaped our private lives? How do personal memories become collective history? In a world forever changed, how do we find our way forward? Elaine Qiu’s awe-inspiring installation of painting, video, and sound invites visitors into a multi-sensory exploration of communal consciousness, connection, and healing in a fragmented, post-pandemic world.
For parking information visit towson.edu/parking/visitors

Ain’t No Mo’ by Jordan E. Cooper, directed by Mari-Andrea Travis is presented as part of the Theatre Morgan LOL! Laugh to Keep from Crying Fall Season, which explores the rich, complex tradition of Black humor as a tool of survival, resistance, and truth-telling. LOL! invites audiences to laugh out loud while thinking deeply. It’s a celebration of the brilliance, resilience, and sheer audacity of finding joy in the face of adversity—because sometimes, you really do have to laugh to keep from crying.
Ain’t No Mo’ catapults you into a no-holds-barred rollercoaster ride where satire meets raw truth. The premise? The U.S. government has offered Black Americans one-way tickets out—and the clock is ticking. In a rapid-fire storm of outrageous, surreal, and laugh-out-loud scenes, the play rips open what it really means to be Black in America after the soaring promises—and sobering aftermath—of a Black presidency. Hilarious, fearless, and unflinchingly bold, Ain’t No Mo’ is more than a show—it’s an electrifying reckoning with the value this country places on Black lives. Buckle up.
16+ for mature content and themes including race, sex, stereotypes, and violence

Thursday, October 23, 2025—11:00am (talkback following) (Senior Citizen & Student Matinee)*
Friday, October 24—7:30pm
Saturday, October 25—7:30pm
Sunday, October 26—3:00pm

It’s midsummer’s eve and Miss Julie has opted to stay home and party with the servants rather than travel with her scandal-ridden father, the Baron. Alone in the kitchen with her valet Jean, the two begin a dangerous game of seduction and manipulation. Through a delirious night, the two battle for a way out of the prisons which circumstance and their own delusions have built around them. Craig Lucas adapts August Strindberg’s masterpiece to give the language a contemporary American flavor.

Performances:
October 23 at 11:10 a.m.
October 24, 25 at 7 p.m.
October 26 at 3 p.m.
October 27 at 10 a.m

The Sunday, October 26th at 3 p.m. performance will be ASL interpreted

Location: CCBC Catonsville, Center for the Arts, Theatre

CONTENT WARNING: This play contains themes and depictions of sexual situations, violence, foul language, misogyny, and alcohol abuse.

DIY PD @City Neighbors is an emergent professional development opportunity, driven by the community of practitioners in attendance. At our DIY PD Sessions, we gather and connect - and have four short breakout sessions for you to choose from, with participants sharing a great strategy, a great question, or a problem of practice.

Come together, build community, share practice, get a new idea, share a problem of practice, or just keep innovating, broadening, and thinking.

60 powerful and efficient minutes of learning, connecting, and collaborating, followed by free dinner!

Come connect with KeraLink International and learn how we’re working to expand access to vision care and end avoidable blindness in our community and beyond. This happy hour is a chance to meet our team, hear about our mission, and join fellow supporters who share a passion for eye health and vision. Enjoy cocktails and hors d’oeuvres while mingling with others who care about making an impact — all while taking in breathtaking views of the city — plus, take part in a surprise interactive activity designed to bring our cause to life!

Join us for a discussion with the composer to learn about the works programmed for the concert later that evening. Bring questions of your own to participate in the Q&A.
Sonia Morales-Matos was the 2016 recipient of the Dr. Herman Hudson Alumnus Award presented by the African American Arts Institute of Indiana University for her excellence as an educator, performer, and composer. She is the June 2019 recipient of recognitions from the City of Santa Ana, the House of Representatives of the United States Congress, and the Mexican Consulate in Santa Ana, CA, for her participation in the “Latino Masters Concert” as a composer, performer, and educator.