Community Calendar

Bruce In The USA is more than a tribute—it’s a fully immersive celebration of Bruce Springsteen and The E Street Band’s legendary live performances.
Fronted by Matt Ryan of “Legends in Concert” and backed by a powerhouse band of world-class musicians, and the show has thrilled fans around the globe with its energy and authenticity. Bruce In The USA delivers the spirit, sound, and soul of The Boss like no one else.

The Bruce In The USA Band consists of seasoned world class professional musicians. The show has hosted musicians from such acts and bands as Queen, Paul Rodgers, Meatloaf, Blue Oyster Cult, Hall and Oats, Joe Cocker, The Ojays, Aretha Franklin, David Cassidy, The Temptations, Slash, and many more. Bruce In The USA has taken this genre of performance art to a whole new level, making it the World’s #1 Tribute to the E Street Band’s musical legacy.

The Bruce In The USA show was born on the Las Vegas Strip in the winter of 2004, debuting at Planet Hollywood Resort and Casino in the majestic V Theatre. The show electrified the senses in a fun-filled and exciting party atmosphere on the Vegas Strip, while suspending disbelief for even the toughest skeptics. They’ve been met with critical acclaim across the country, as well as corporate events spanning across the globe for over a decade. Crowds are on their feet from the first song to the last. Learn more about the band and explore their history on the official Bruce In the USA website.

This show is part of the Weinberg Center’s LIVE! Series, celebrating iconic music and exceptional musicianship. The Weinberg Center, located in the heart of Downtown Frederick, MD, offers a historic backdrop and excellent acoustics for an unforgettable concert experience.

Roll for initiative! Oh Crit performs improv comedy fused with Dungeons & Dragons! Join them as they embark on an adventure of twists and turns, bizarre characters, and occasional epic failure… All with the help from YOU and the whim of an unforgiving 20-sided die!

At all Oh Crit! performances, we will be collecting food donations on behalf of the Frederick Community Fridge.

Back for its second year, Abbott and the Big Ten Conference are hosting the We Give Blood Drive competition to entice students, alumni, fans, and community members to rally around their Big Ten school to donate blood, save lives, and address the country's ongoing critical blood shortage.

From August 27 to December 5, anyone eligible to donate blood can do so anywhere, anytime in the U.S. to count for their school. The school with the most donations at the end of the competition will receive $1 million to advance student or community health.

New this year, everyone who donates or attempts to donate blood throughout the competition will receive an exclusive, limited-edition, Homefield-designed T-shirt specific to their school. To receive the shirt:

1. Show up to donate
2. Submit your donation (or attempt to donate) at BigTen.Org/Abbott or by texting DONATE to 222688 (ABBOTT).
3. Click the link sent to your email
4. Use your redemption code
5. Your shirt will be shipped to the address of your choice. 

Last year, the University of Nebraska won, and is using the funds to advance student health on campus. The University of Maryland is competing this year and will host several blood drives on campus and in the surrounding area throughout the competition. To find a blood drive near you, please visit: https://bigten.org/abbott/maryland

This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.
Presented as part of the Turn Again to the Earth environmental initiative.

More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.

Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.

Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.

In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.

Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.

Enjoy the region’s oldest outdoor art show, the 62nd Annual Havre de Grace Art Show will take place 10:00 am-5:00 pm, Saturday, October 18 and Sunday, October 19, 2025 at Tydings Memorial and Concord Point Parks with a connecting waterfront promenade overlooking the Susquehanna River and the headwaters of the Chesapeake Bay in historic Havre de Grace, Maryland. This outdoor event features juried artists and craftsmen, food, entertainment, and children’s activities. No admission fee, free parking, free trolley. Presented by ArtUnion in partnership with The Friends of Concord Point Lighthouse to benefit Concord Point Lighthouse and various local cultural arts projects. Visit: HdGArtShow.org and follow us on Facebook, Instagram

For thousands of years, East Asia’s cultures have viewed human life as part of a much larger system that encompasses the natural world. Drawn from the BMA’s collection, this exhibition boasts more than 40 objects—from magnificent ink drawings to beautifully crafted stoneware and poignant contemporary photographs and prints. They bring into the galleries the mountains and seas, wild and supernatural animals, and plant life that are extensive across East Asian imagery and often carry symbolic meaning.

Works on view include robust 13th-century ceramic vessels, delicate porcelain, carved jade, intricately sewn textiles, and large-scale photography; collectively, these artworks represent the impulse to fully understand the natural world as foundational to our existence, as shaped by human life, and as an enduring metaphor of survival.

On View: September 12 - December 6 (closed Oct. 17 & Nov. 25 - 29)
Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.

The work in this exhibition compresses and expands expectations of depth as moderated by a post-image visual culture. The artists adhere to neither medium nor dimensional restrictions, but manipulate the viewer’s relationship to the image as a temporal document, compressed and fractured, through the singular eye of the lens. This expectation, no longer warranted in the age of computer generated images, becomes a fallacy of both the eye and of the language used to comprehend it. The image is untethered from representation and logical spatial association. Spatial continuity and discontinuity run amok in playful fracture--the work pushes and prods the amorphous opening left in the wake of this rupture; what was flat is unmoored of grounding, what was solid is now compressed.

Reception September 11 following the 6:30 p.m. lecture.
For parking information visit towson.edu/parking/visitors

September 10 - December 6 (closed October 17 & November 26 -29)
Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.
Opening reception Wednesday, September 10, 7:30 p.m.

How have recent upheavals—from the pandemic to global conflicts, amplified by media—reshaped our private lives? How do personal memories become collective history? In a world forever changed, how do we find our way forward? Elaine Qiu’s awe-inspiring installation of painting, video, and sound invites visitors into a multi-sensory exploration of communal consciousness, connection, and healing in a fragmented, post-pandemic world.
For parking information visit towson.edu/parking/visitors