Ann Powers
Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.
One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.
Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.
Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.
After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.
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The country singer-songwriter's second album boasts a big sound. But it keeps beautiful details intact, as Clark speaks for those often pushed aside within traditional storytelling narratives.
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On Rae's third album, the singer-songwriter's fleshed-out jams and delicate, jazz-informed ballads examine the subtle trajectories emotions can take.
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For Simpson's first album since his 2014 breakthrough, the inventive country singer crafts a highly personal song cycle about order and insubordination.
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IsVinyl's latest fictionalized New York music character a tribute to Jobriath, the post-Bowie 'space clown' who was rock's first openly homosexual performer? -
The producer and guitarist presides over a graceful concept album in which some of country and Americana's biggest stars reflect on home.
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The better half of Nashville's newest first couple steps out with a scorching blues take on Jimmie Davis' sad-happy classic. -
On her first album in 13 years, one of country's supreme redheads lays bare the joy that is her most potent gift as a vocalist.
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The living Nashville legend returns with a wise, thoroughly modern expression of desire, accompanied by the harmonies of Little Big Town. -
The album You and I, due in March, is made up of songs recorded in Buckley's very first studio sessions after signing to Columbia Records, and displays the singer's wide range of influences.
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The 59-year-old's tenor has grown rawer, lending his inquiries into heartbreak an air of menace. He can still sing like a dream, but Isaak's gotten better at capturing nightmares, too.
