Chris Klimek

Andrew Garfield plays a conscientious objector who won the Medal of Honor in World War II. This "sturdy, muted, unsurprising" film is the first movie Mel Gibson has directed since 2006's Apocalypto.

After a five-year winning streak as Hollywood reigning action hero, Tom Cruise falls back to earth with a can't-miss sequel that misses.

Christian Wolff (Ben Affleck) is a math savant who hides dark side-dealings as a freelance accountant for various criminal enterprises.

Tim Burton's latest is a dreamlike and visually striking fable; the presence of a satisfyingly eerie Eva Green keeps its overcomplicated story from sinking into muddled incoherence.

I Haven't Seen The First Six Yet! Director Antoine Fuqua remakes the classic 1960 Western; our critic calls it a "fun but nonessential" example of "high-grade pulp."

Ding-Dong, a Witch Retread: A sequel to the "found-footage" horror sensation The Blair Witch Project never manages to find a compelling reason to exist.

Critic Chris Klimek gets so excited about the various film versions of an epic set in the Roman Empire that he opens a Socratic dialogue with his editor. (Yes, Socrates was Greek, not Roman. We know.)

Director David Mackenzie's film about two brothers who rob banks while being chased by Texas Rangers is small, solid and sharply-observed.

DC's "rogues-do-good" answer to Marvel's Guardians of the Galaxy lacks that film's energy and charm; the result is a squalid, confusing mashup of tones and characters.

Jason Bourne is back — still, again, some more — in a new film critic Chris Klimek calls an "idea-starved vestigial tail" on the Bourne series.