Chris Klimek
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A charming cast, some fun twists, and the usual third-act bloat; Avengersmay be over, but this "bright and buoyant" spider-sequel doesn't give you a chance to forget the Marvel formula.
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The sequel to the sequel to the classic 1971 blaxploitation film is fueled by gay-panic jokes and poorly staged, violence-is-the-answer set pieces.
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The sequel to the 2014 Godzillafinds two scientists and a bunch of monsters stranded in an undercooked story about an underdeveloped monster.
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The third installment of the Keanu-as-super-assassin series triples down on the gorgeously staged violence, but little things like his character's motivation get hopelessly muddled.
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Critic Chris Klimek crunches the numbers to examine how and why blockbuster films like Avengers: Endgame grew to such great, bladder-busting lengths.
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Comics creator Mike Mignola's gruff demon-hero gets a hard-R reboot that swaps out the charm of director Guillermo del Toro's previous iterations and replaces it with "chaotic, repetitive" gore.
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Tim Burton's take on the classic Disney animated feature does what it sets out to do in a kid-friendly, safe and unsurprising way devoid of the director's onetime idiosyncratic flair.
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Despite a surfeit of impressive talent behind and before the camera, and solid set-pieces, Robert Rodriguez's adaptation of a popular mangaabout a deadly teenage-ish robot feels thin, and dated.
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Miss Bala invites comparisons to other, more effective films with similar butt-kicking protagonists, but as compelling, well-acted genre filmmaking, it succeeds.
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A perpetually sodden Matthew McConaughey plays a fishing-charter captain drawn into a murder plot in this soapy, dopey tale that turns into an unconvincing fish story.