Etelka Lehoczky

Ta-Nehisi Coates continues his tangled, philosophical (and big-selling) superhero tale with Black Panther: A Nation Under Our Feet. Coates' storytelling resonates, but his character can often ramble.

Caitlin Kittredge's comic series about psychic soldiers on the run from government experiments is brisk, colorful fun, complemented by Steve Sanders' stylish character designs and deft illustrations.

Fantagraphics is the publisher that brought literary respectability to comics. Their mammoth 40th anniversary volume, We Told You So, tends towards self-congratulation — but deservedly so.

Ron Wimberly's energetic re-working of Romeo and Juliet focuses on Tybalt, the "Prince of Cats." It mashes up wildly diverse elements into a fresh creation, the visual equivalent of a DJ's mix.

Comic artist Steve Dillon died this weekend in New York City at the age of 54. He was responsible for some of the most iconic comics of the 1990s, including Hellblazer and Preacher.

Illustrator Shaun Tan puts his skills to a new test in The Singing Bones. He's taking the familiar Grimm fairy tales and condensing each one down to a single, wordless photo of one of his sculptures.

Cartoonist Riad Sattouf continues his scathing memoir of his childhood in Syria and Libya. Just as in the first volume, his disgust for the oddities and outrages around him is palpable on the page.

Atwood may be best known as a novelist, but she's also a creator of comics — her new comic, Angel Catbird, is the gleefully subversive tale of a DNA-altered, superpowered cat-bird-man.

Drawn & Quarterly has reissued a compilation of strips from Lynda Barry's Ernie Pook's Comeek, starring irrepressible eight-year-old Marlys Mullen. Barry's sweeping lines are instantly recognizable.

Ed Piskor is back with another volume of his popular Hip Hop Family Tree series, this time chronicling the acts — from the Beastie Boys to one-hit wonders — that rose to the top in 1984 and 1985.