
Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Film critics like to argue, but Chang says that he and his colleagues agree that this was a really good year on screen. Beyond the Barbie and Oppenheimer blockbuster, here's what you shouldn't miss.
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Emma Stone stars as an adult woman with the anarchic spirit of a very young child in a strangely touching film that's filled with transgressive sex, sadistic power games and grisly violence.
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Hayao Miyazaki's beguiling new fantasy combines the excitement of a boy's grand adventure and the weight of an older man's reflection. The hypnotic story is a partial self-portrait by an anime master.
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Cooper plays the legendary composer and Carey Mulligan is his wife, Felicia Montealegre, in a new drama that exquisitely renders Bernstein's musical brilliance and human flaws.
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Natalie Portman and Julianne Moore star in Todd Haynes' dark and disturbingly funny film about a teacher who was convicted of raping her sixth grade student — and later went on to marry him.
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The mundane becomes mesmerizing in David Fincher's dark comedy, which tracks every detail of a hit man's routine: the scheduled naps, the fast-food runs, the yoga stretches he does to stay limber.
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Adapted from Priscilla Presley's 1985 memoir, the film shows us the cracks in Elvis' Prince Charming veneer — the way he lavishes Priscilla with attention and then suddenly withholds it.
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Paul Giamatti plays a boarding school teacher charged with watching over the students who have no where to go during winter break in a throwback film that doesn't quite live up to its potential.
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Martin Scorsese's film, based on David Grann's book, tells the true story of white men in the 1920s who married into and systematically murdered Osage families to gain claims to their oil-rich land.
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A writer stands accused of killing her husband in this film, which won the Palme d'Or at Cannes. But as Anatomy of a Fall persuasively suggests, every marriage is a mystery.