J. Wynn Rousuck | WYPR

J. Wynn Rousuck

Maryland Morning Theater Critic

J. Wynn Rousuck has been reviewing theater for Maryland Morning with Sheilah Kast since 2007. Prior to that, she was the theater critic of The Baltimore Sun, where she reviewed more than 3,000 plays over the course of 23 years. Her feature coverage for The Sun included a comprehensive series chronicling the development of the Tony Award-winning musical, “Hairspray.” Judy got her start at The Cleveland Press and at Cleveland’s fine arts radio station, WCLV. Her broadcasting experience also includes a year as an on-air theater critic for Maryland Public Television.

A member of the Artistic Advisory Committee of Young Audiences of Maryland, Judy is also a freelance teacher for the Johns Hopkins Center for Talented Youth and the Hippodrome Foundation, Inc. (the Hippodrome’s non-profit partner, which focuses on education and outreach). She was a faculty member at the Eugene O’Neill Theater Center’s Critics Institute in Waterford, CT, for two decades; she is a former National Endowment for Humanities Journalism Fellow; and she was a visiting student at Brown University (2007-2008), under the mentorship of Pulitzer Prize-winning playwright, Paula Vogel. Judy and her husband, Alan Fink, share their home with two dogs, who enjoy hearing their “Master’s Voice” on WYPR.

Baltimore Center Stage

The Christians, directed by Hana S. Sharif and written by Lucas Hnath, is set in a modern day Megachurch; the play explores what happens when the church's spiritual leader, Pastor Paul-- played by Howard W. Overshown -- stops believing in hell. The production features performances from local choirs including the Greater Baltimore Church of Christ Choir; New Psalmist Baptist Church Choir; and Community Choir of Baltimore Center Stage, a choir convened for this production. Center Stage transformed their theater for this production to look and feel like a church, the audience is invited to participate in the production as members of the congregation. 

Everyman Theatre

Everyman Theatre's adaptation of the Tony Award winning play M. Butterfly stars Vichet Chum as Song and Bruce Randolph Nelson as Rene Gallimard. The Emmy award winning drama written by David Henry Hwang is based on the true story of the French diplomat who had a nearly two-decade affair with a Chinese opera performer and spy. The production is directed by Vincent Lancisi. 

M. Butterfly is at The Everyman Theatre through October 8th.

photo courtesy Hippodrome Theatre

It's Thursday, and that means our theater critic J. Wynn Rousuck joins Tom in the studio with her weekly report on the region's thespian landscape.  

This week, Judy looks ahead to the 2017-2018 season and spotlights some of the local and touring productions slated to grace the region's stages in the coming months, including two notable musicals coming to the Hippodrome:  Sir Andrew Lloyd Webber's sequel to his Phantom of the Opera, called Love Never Dies, and The School of Rock.  

Courtesy of Joshua McKerrow

Today, Midday theater critic J. Wynn Rousuck joins Tom with her review of  Alice and the Book of Wonderland, a new rendition of the classic being produced on stage by the Annapolis Shakespeare Company, in Annapolis, Maryland. Sally Boyett and Donald Hicken adapted Lewis Carroll's whimsical children's novel and gave it a modern twist. Boyett directs the action, which involves a series of absurd Carrollian vignettes that draws the curious young Alice deeper into Wonderland's surreal mysteries.

Photo by Tom Lauer

Midday Theater critic J. Wynn Rousuck joins Tom in the studio every Thursday to review one of our region's current theater productions.

Today, she spotlights Sister Act, a musical based on the 1992 film comedy starring Whoopi Goldberg as a lounge singer who is forced to hide out in a convent, disguised as a nun.  Sister Act is directed by Tom Wyatt at Cockpit in Court on the Essex campus of the Community College of Baltimore County. It will run through Sunday, August 6.

Photo by A. Mains

Midday theater critic J. Wynn Rousuck joins Tom for her weekly review of one of the region's thespian offerings.  

Today, she spotlights Fallout, the play by Laura King that's being staged by Baltimore's Vagabond Players as part of the Baltimore Playwrights Festival.  It's directed by Audra Mains Mullen, and stars Gareth Kelly as David and Ryan Gunning as Anna, two strangers with issues, who seek refuge from an unknown menace in a fallout shelter, a relic of the nuclear holocaust paranoia that raged during the Cold War.  In the tight confines of the shelter, Anna and David wrestle with their inner demons, even as they deal with their terror of what lurks outside.

The Vagabond Players' production of Fallout -- one of just two plays to be fully-staged in this year's Baltimore Playwrights Festival -- runs through Sunday, July 30.  Special Thursday show July 27, 8 pm; Friday and Saturday 8 pm, Sunday 2 pm.

The Vagabond Players is located at 806 South Broadway, Baltimore, MD 21231.
Tickets can be purchased here.

Spotlighters Theatre / Shealyn Jae Photography

Midday theater critic J. Wynn Rousuck joins Senior Producer Rob Sivak in the studio today with her review of the musical Spring Awakening, produced by the Spotlighters Theatre.   It tells the story of a group of 19th century German teenagers trying to discover more about one another and themselves, under the intense scrutiny and repressive control of the adults in their lives.

Seth Freeman

Midday theater critic J. Wynn Rousuck joins Tom in Studio A with her review of the six plays being presented this year at the annual Contemporary American Theater Festival (CATF), now underway on the campus of Shepherd University in Shepherdstown, West Virginia.  The plays' settings range widely - from Amish Country to Nazi Germany - but their stories share common and emotionally  powerful  themes.

Photo by Robert Neal Marshall

Midday theater critic J. Wynn Rousuck joins Tom in the studio each Thursday with her weekly reviews of the region's thespian offerings.  This week, she critiques the new production of The Tempest from the Chesapeake Shakespeare Company

Photo by Britt Olson-Ecker

Midday theater critic J. Wynn Rousuck joins Tom for our regular Thursday focus on the region's thespian happenings. Today, she reviews the Single Carrot Theatre and STEREO Akt world premiere production of Promenade: Baltimore.

Not your conventional stage production, Promenade: Baltimore invites its audience to board an actual bus and travel around the city, passing through neighborhoods familiar to some, and unknown to others. Audience members watch from their bus as actors on the street perform scenes portraying various aspects of life in Baltimore, accompanied by a live-mixed soundtrack of music, narration, and stories inspired by and, in some cases told by, neighborhood residents.  

Know Your Neighbors: A Promenade Post-Show Roundtable, Thursday, June 22, following the 6:30pm performance.  See the Single Carrot Theatre website for details on this and other post-show events.

Promenade: Baltimore continues at Single Carrot Theatre through Sunday, July 2nd.

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