Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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An archeological tomb robber wanders Italy, haunted by the memory of lost love. La Chimera is a playful fable that builds to not one but two thrilling scenes of underground exploration. -
The new remake of the 1989 Patrick Swayze film comes up short, caught between an unironic '80s homage and a more wised-up contemporary sensibility. -
A middle-aged protagonist struggles with his own sense of impermanence — and the return of his long-absent father. The Shadowless Tower is a subtle film that draws you in at every step. -
Dune: Part Two is a more exciting and eventful journey than Dune: Part One. But even here, the high points are over too soon, and the movie quickly moves on. -
Over his mom's protests and warnings, 16-year-old Seydou sets out for a better life in Europe. Io Capitano is a grueling portrait of a migrant's journey, nominated for best international feature film. -
Cynthia Erivo stars as Jacqueline, a refugee who retreats from the world after experiencing tragedy at home. She befriends an American tour guide (Alia Shawkat) on the shore of an unnamed Greek isle. -
Juliette Binoche and Benoît Magimel star as gourmets — and lovers — in a sumptuous film about cooking, eating and unhurried indulgence. -
This drama about a young man's journey with his 5-year-old nephew into the Vietnamese countryside is composed mostly in long, unbroken takes — to quietly mesmerizing effect. -
Peter Sarsgaard is a man with early-onset dementia and Jessica Chastain is a single mother with a traumatic past in a film about two people who come into each other's lives at just the right time. -
Jonathan Glazer's film depicts the family of Auschwitz camp commandant Rudolf Höss — they go about their daily routines while a massive machinery of death grinds away next door.
